K. K. Rajeev is a director from the Malayalam television industry.^[1]

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Career[edit]

His most famous serials are Peythozhiyathe, Venal mazha, Swapnam, Avicharitham, Amma Manassu, Kudumbayogam, Orma, Mazhayariyathe, Kadhayile Rajakumari, Oru Penninte Kadha and Eshwaran Sakshiyayi.^[2][3] In 2009 KK Rajeev produced a TV serial based on late writer Padmarajan's famous work Vadakaku oru Hridayam. The script for the serial has been written by Padmarajan's son Ananthapadmanaphan.In his career as a film director, he won many awards which includes the state award he won for directing Avicharitam telecasted in Asianet.His debut film in Malayalam cinema is Njanum Ente Familiyum starring Jayaram, Mamta Mohandas, Mythili, Manoj K. Jayan, Jagathy Sreekumar and Nedumudi Venu, which released in 2012.It was a flop at the box office.

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Biography[edit]

During his school and college days he was very active in pursuing his hobbies of acting in and directing plays of well-known writers. A writer himself, he used to write short plays and direct it to present in school/college competitions. He used to bag the prizes for acting and direction. When he was an undergraduate commerce student in M S M College, Kayamkulam, his team took part in the Kerala University Youth festival drama competition and KK Rajeev won the 'Best Actor of the Year' award. He was the Arts Club Secretary of the college, in 1985. He is married to Honey Rajeev and has a son Vishnu Rajeev.

Television Soap Opera's[edit]

Year	Title	Channel	Lead Actors	Notes
2001	Venalmazha	Surya TV	Srividya, Poornima Indrajith, Ratheesh
2002	Peythozhiyathe	Surya TV	Thilakan, Poornima Indrajith, Mallika Sukumaran
2003-2004	Swapnam	Asianet	Prem Prakash, Srividya, Praveena, Suresh Krishna, Anoop Menon
2004	Avicharitham	Asianet	Prem Prakash, Srividya, Jayan, Suvarna Mathew, Valsala Menon
2005	Orma	Asianet	Suresh Krishna, Priya Raman, Sanusha, Urmila Unni
2006-2007	Amma Manassu	Asianet	Sanusha, Krishna, Vanitha Krishnachandran, Sreekala Sasidharan, Chipy
2008	January	Asianet	Suvarna Mathew, Harsha
2008	Kudumbayogam	Surya TV	Shaalin Zoya, Meera Krishna
2009	Agneyam	DD Malayalam	Prem Prakash, Meera Krishna, Souparnika Subash
2009	Vadakkaikku Oru Hridayam	Amrita TV	Shalu Menon, Kavitha Nair, V.K.Baiju, Jayan Cherthala, Sreelatha Namboothiri	remake of Vadakakku Oru Hridayam
2009	Mazhayariyathe	Surya TV	Anitha Peter, Dhileep Rajan, Praveena, Yadhu Krishnan
2011	Kadhayile Rajakumari	Mazhavil Manorama	Kishor Satya, Leena Nair, Surabhi Lakshmi
2013	Oru Penninte Kadha	Mazhavil Manorama	Prem Prakash, Sreelakshmi, Indu Thampy, Yadhu Krishnan
2013	Avalude Kadha	Surya TV	Prem Prakash, Sreelakshmi, Indu Thampy, Yadhu Krishnan	Sequel to Oru Penninte Kadha
2014	Amma Manasam	Surya TV	Sreelakshmi, Sini Varghis, Akash V H, Deepa	Remake of Tamil serial Azhagi
2015	Eshwaran Saakshiyayi	Flowers TV	Prem Prakash, Sreelakshmi, Reena, Divyaprabha, Akash V H, Rakendu
2016	Pokkuveyil (TV series)	Flowers TV	Krishna, Sruthi Lakshmi, Yadhu Krishnan, Aji John, Reena Basheer
2017 -2018	Ayalathe Sundari	Surya TV	Yadhu Krishnan, Kavitha Nair, Mersheena Neenu, Akash V H, Jyothika, Aji John
2019-2020	Thonnyaksharangal	Amrita TV	Yadhu Krishnan, Kavitha Nair, Mersheena Neenu
2020 September 21 - present	Anna Kareena	Flowers TV
2020	Aanapirannol	Amrita TV	Unreleased

Awards[edit]

Kerala State Television Awards

• 2005 -Best Serial -Avicharitham
• 2005-Best Director -Avicharitham
• 2010 - Best Serial - Agneyam
• 2010-Best Director - Agneyam
• 2015-Best Serial - Eshwaran Saakshiyayi
• 2016-Best Serial - Pokkuveyil

Asianet Television Awards

• 2005-Best Serial- Swapnam
• 2005-Best Director- Avicharitham
• 2006-Best Serial- Orma
• 2006-Best Director -Orma

Atlas-Film Critics award

• 2009-Best Serial -Agneyam

Kaveri Film critics Awards

• 2004-Best Serial - Avicharitham
• 2004-Best Director - Avicharitham

FLOWERS TV AWARDS

• 2016 - Best Director - Eshwaran Saakshiyayi
• 2016 -Best Serial -Eshwaran Saakshiyayi

See also[edit]

References[edit]

1. ^IndiaGlitz - Mammootty turns drama actor - Malayalam Movie News
2. ^The Hindu : Metro Plus Thiruvananthapuram / Profiles : On a career high
3. ^'Archived copy'. Archived from the original on 7 August 2009. Retrieved 11 February 2020.CS1 maint: archived copy as title (link)

Freedrama Main Page * Free Monologues * Free Short Play Scripts * Free Comedy Skits

Short Drama Scripts

'Grace' Short drama of an angel who has fallen in love with a mortal. 2w 1m

'Death Takes the Train'A short play for four actors about Death's new mode of transportation from the play 'Secrets of my Soul.'

'The Last Can' A short play about two people in love... at the end of the world... with only one can of food left. (for 1 male and 1 female) from the play 'When Mel Fell for Nell'

'The Waiting Room' dramatic scene for three actors from the published play 'Death of an Insurance Salesman'

'Phone It In' scene for 4 actors about a former child star facing a difficult future in Hollywood from the play 'Blondes Prefer Gentlemen'

'The Beach' serious dramatic scene for 3 actors (2 females 1 male) about revenge from the play 'Blondes Prefer Gentlemen'

'Father's Day' short dramatic script for 2 actors (1 male and 1 female - father and daughter)

'PokyMonster Murders' short dramatic play for 4 or more actors about the darkside of Pokemon Go

'Find Yourself a Nice Girl' duologue for two actors - 1 teen male and 1 older female (link goes to Freedrama blog)

'Falling Away From You' - drama for two actors about being away from each other (1 male 1 female)

'Giving You My Heart' Short dramatic play with very little dialog but a lot of heart for 2 m 1 f

'Confession' - drama for two actors from upcoming play On Holy Ground (hear the play read)

'A Solitary Witness' Short historical drama about a tragic moment in the life of Patsy Jefferson

'Flowers in the Desert' - Short Drama - 2w 2m
A play for mature actors

'Dead End Job' scene for 3 actors from Death of an Insurance Salesman

'The Boogie Man' 2 actors (1m 1f) from Death of an Insurance Salesman

'You and Me, Alone and Free' stage play script for 3 actors by D. M. Larson

Dramatic Monologues

ANIMAL FRIEND
a short monologue
I talk to animals because they listen... they watch my every word with their curious eyes and twitch their little ears in anticipation of my next breath. They let me ramble and never judge. When I am sad, they comfort me with a cuddle, and when I am happy, they dance at my delight. No one else has the patience or the time. Deep down i must be an animal too. I belong in the trees, whispering with the wind, babbling with the brooks, dancing among the dandelions. I am a creature with fangs and fur and feathers. No human can comprehend my primitive musings... I am mysterious, misread, misunderstood... by everyone except you.
END OF MONOLOGUE
Copyright (c) 2018 by D. M. Larson
MERMAID
a short monologue
I hold an empty shell to my ear and listen to the whispers of the world above. I yearn to understand and know what they speak about, what do they dream, what do they feel? I wonder if they care like we do and love as much. So many fear them, but I want to know them, I wish to unlock their secrets. Their whispers speak to me without words, calling me, drawing me closer. I hope to gain their trust and unlock their mysteries. I will show everyone there is nothing to fear. I will make them our friends and bring our people together. When we show kindness, we see kindness. When we show respect, we see respect. When we show fear, we see fear, and hate, and anger... I trust you... and you will learn to trust me... come... come into the waters and hold my hand... and I will lead you into our hearts.
END OF MONOLOGUE
Copyright (c) 2018 by D. M. Larson

Find more dramatic monologues at: http://www.freedrama.net/small1d.html

Featured Dramatic Stage Play Script

'CUT OFF FROM THE WORLD' by D. M. Larson
This scene is for 2 actors adapted from a monologue by the same name from the play 'The Bullied, Bungled and Botched' ISBN-13: 978-1518661082
(MOIRA runs over to her sister, HARMONY, and shows her something on her laptop)
MOIRA: Look at what they're saying about me!
HARMONY: Who is saying what about you?
MOIRA: It's all over TwitFace! Everyone at school is seeing it.
HARMONY: I don't think everyone is seeing it.
MOIRA: You see how many likes it's getting!
(MOIRA gives HARMONY her laptop)
HARMONY: Oh, dear. That's not good.
MOIRA: I hate TwitFace! It's ruining my life! I can't go back to school tomorrow. I can't face everyone after what they said.
(HARMONY is doing something on MOIRA's computer)
MOIRA (CONT.): What are you doing?
HARMONY: I'm helping you.

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MOIRA: Don't deactivate my account!
HARMONY: Too late. I already did.
MOIRA: Give me back my laptop!
(HARMONY won't give back the laptop)
HARMONY: I'm cutting you off. You need a break.
(HARMONY holds up laptop with one hand)
MOIRA: Stop, you're going to break it!
(MOIRA grabs HARMONY's arm and the laptop falls and hits the ground)
HARMONY: Ooops.
(MOIRA goes to the laptop like it is a dead baby animal that she loves)
MOIRA: It broke.
HARMONY: So sad.
(MOIRA angrily clutches the laptop to her chest)
MOIRA: You broke my laptop.
HARMONY: It had to be done. You've got a problem. You need some time offline in the real world. It's making you crazy)
(MOIRA has a crazed look on her face)
MOIRA: Where's my phone?
(HARMONY spots it and grabs it first)
HARMONY: No phones either.
(HARMONY takes out the battery)
MOIRA: Give me my phone! Don't take out the battery.
HARMONY: I'll just keep this somewhere safe until you come back to reality for awhile.
MOIRA: What are you doing with the battery! Put my phone back together! You're breaking it!
(HARMONY accidentally breaks the phone)
HARMONY: Ooops.
(MOIRA snatches the pieces of the phone away from HARMONY. She falls the floor dramatically. She sniffles)
MOIRA: I'm cut off from the world...
(She cries and throws a tantrum. After a few minutes of an epic tantrum. HARMONY ignores her and reads a book or draws something. Then MOIRA gathers the pieces of her broken devices and cries quietly while holding them. Then after a long pause she suddenly looks a little relieved)
MOIRA: I'm cut off from the world.
(Long pause - she looks around. She goes and sits by HARMONY. Then she leans on HARMONY and then they hug)
HARMONY: You'll be okay. I'll get you through this. Sometimes it's good to take a break from the trolls and the bullies and live in this world again. That other world isn't a safe one for you anymore. I don't like seeing what it did to you. It makes you so sad, so that's why it had to stop. I'm here for you. What would you like to do?
MOIRA: Wanna play a board game or something?
HARMONY: That would be fun. I think we still have the Game of Life. Or Risk. We used to play Risk all night sometimes.
(MOIRA pantomimes opening a curtain and the light hurts her eyes for a second. Then she looks out the window [which can be the audience])
MOIRA: Hey look, we still have that tire swing in the back yard. Remember how we used to spin each other until we got so dizzy we couldn't walk? I loved that feeling. I wish I could feel that way again... not just dizzy, but... I don't know... carefree? Things get so much more complicated when you get older.
HARMONY: Let's go give it a spin.
MOIRA: Okay!
(They exit)
END OF SCENE
BUY A PDF OF THE SCENE AT https://sellfy.com/p/xnwh/

Another Featured Serious Dramatic Scene

by D. M. Larson

INT. BEDROOM. DAY. 1826.

This year is 1826. Adult Patsy Jefferson enters a bedroom. The bed and furniture is covered and dusty. We hear Young Patsy's voice.

PATSY (OFF)

'He kept his room for three weeks and I was never a moment from his side. He walked almost incessantly every night and day only lying down occasionally... when at last he left his room he rode out and from that time he was incessantly on horseback rambling about the mountain... in those melancholy rambles I was his constant companion, a solitary witness to many a violent burst of grief.'

Adult Patsy sits on a bed sadly and looks at an end table next to the bed. She opens the drawer. Inside she finds a piece of paper and a lock of hair. She reads the paper silently and tries not to cry. Then she reads aloud.

ADULT PATSY

'Time wastes too fast: every letter I trace tells me with what rapidity life follows my pen. The days and hours are flying over our heads like clouds of windy day never to return - '

Adult Patsy pauses and struggles to avoid crying.

Lights fade to black.

INT. BEDROOM. DAY. APRIL 1782

The year is 1782. It is the same room but many years earlier. The bed and furniture are uncovered. Martha Jefferson is at the window watching something.

MARTHA

Patsy come here.

Young Patsy runs to the window.

PATSY

What is it mother?

MARTHA

Look at your father showing off.

PATSY

Look how the deer eat right of his hand.

MARTHA

If only he could get the House of Delegates in Richmond to do the same.

PATSY

Is Papa going to Richmond soon?

MARTHA

I... I don't know...

Martha gets up and is very pregnant. She struggles. Patsy helps her to the bed.

PATSY

Are you not feeling well?

MARTHA

I'm worried about the baby.

PATSY

You should rest. Would you like me to bring you some more flowers?

MARTHA

That would be lovely, Patsy. You are such a good daughter.

PATSY

The baby will be fine, Mama. Don't worry.

Thomas Jefferson enters. Patsy hugs him.

PATSY

Papa!

THOMAS

You act like I've been gone forever.

MARTHA

You've not gone at all.

THOMAS

I can't, Martha. The baby...

PATSY

You BOTH need to stop worrying.

MARTHA

Who was that outside with you?

THOMAS

That was a messenger from Richmond.

MARTHA

I thought as much.

THOMAS

The House of Delegates wishes their Governor to return.

MARTHA

Perhaps the Governor should do so.

THOMAS

But the Governor... nor the baby, wish it to be so.

PATSY

Nor his daughter.

MARTHA

Nor his wife.

THOMAS

I believe the House of Delegates is over-ruled.

Martha is looking in pain. Thomas strokes her hair.

PATSY

I will go get the flowers... and some raspberries... you love raspberries.

MARTHA

I do crave them yes. Thank you, Patsy.

Patsy goes to the exit and pauses to look. Martha shows even more pain and Thomas holds her.

MARTHA (CONT.)

It hurts so badly, Thomas. Worse than all the other children.

THOMAS

Shhh... rest now, Martha. I will stay here with you.

Lights fade to black as Patsy slowly turns to go.

INT. BEDROOM. DAY. MAY 1782

In darkness, a baby crying is heard.

AUNT CARR (VOICE)

It's a girl.

Lights come up on Martha in bed with Thomas at her side. Martha is very ill and Thomas looks like he hasn't slept or bathed. Aunt Carr is near.

AUNT CARR

Thomas. You need to rest. I can watch Martha and the baby.

THOMAS

Go tend to the baby. I will stay with Martha.

Patsy enters with her little sister Polly.

POLLY

Why can't mama play?!

PATSY

She's sick, Polly. Quiet.

POLLY

I wanna play now!

PATSY

Go to your room!

Polly runs off crying. Aunt Carr goes to Patsy.

AUNT CARR

I'll talk to her.

Aunt Carr exits.

PATSY

Papa?

THOMAS

Shhh... she is asleep.

PATSY

I can sit with her papa.

THOMAS

I can't... I can't leave her...

He buries his face in his hands. Patsy hugs him.

INT. BEDROOM. DAY. JULY 1782.

Martha is awake but still in bed. Thomas is giving her liquid. Patsy enters with a booklet.

PATSY

Good morning, Papa. Good morning, Mama. Happy 4th of July.

Aunt Carr enters with baby and Polly.

THOMAS

Is it the 4th?

PATSY

Yes. Shall we read the Declaration of Independence over morning tea?

THOMAS

I don't know...

PATSY

But we always do, Papa. I can recite it I think... 'When, in the course of human events, it becomes necessary...'

THOMAS

Not this year, Patsy.

MARTHA

Psalms instead?

THOMAS

Yes...

Patsy is much more subdued.

PATSY

I will get the Bible.

She gets the Bible for Thomas. He opens it and pages through until he finds the right Psalm (15).

THOMAS

'...who shall dwell in thy holy hill? He that walketh uprightly, and worketh righteousness, and speaketh the truth in his heart...'

Polly is at the window.

POLLY

Someone is here.

Aunt Carr and Patsy go to the window.

AUNT CARR

It's the messenger from Richmond.

Thomas closes the Bible in frustration and goes. Patsy goes to Martha.

PATSY

What do they want mama?

MARTHA

I don't know.

THOMAS (OFF)

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No! No, you may not enter.

Messenger bursts in to the room. He stops when the family is startled. Martha has a coughing fit. Baby starts crying.

THOMAS (CONT.)

Leave at once.

MESSENGER

I'm sorry, Governor, but I was told to find proof of the story of your wife's illness... or arrest you.

THOMAS

What?

MESSENGER

Richmond is in chaos without you, Governor Jefferson. The delegates are divided on everything. Even your loyal followers are doubting you. They are calling for your arrest. They want to force you to serve.

In a quiet rage, Thomas grabs the messenger.

THOMAS

I will not leave my wife's side while she is so ill.

Messenger looks at Martha and softens.

MESSENGER

Yes, Governor. I know.

Thomas lets go but his fists clench ready for a fight. Messenger leaves. Martha coughs. Thomas rushes to her.

THOMAS

Her medicine... hurry.

Patsy rushes from the room as the lights fade to black.

INT. BEDROOM. DAY. AUGUST 1782

Martha weakly copies on to a piece of paper while Thomas holds a book. Patsy enters but stops and watches.

MARTHA

'Time wastes too fast: every letter I trace tells me with what rapidity life follows my pen. The days and hours are flying over our heads like clouds of windy day never to return - more everything presses on -'

Martha drops the pen and coughs. Thomas gets her medicine. She drinks some water and calms.

MARTHA (CONT.)

Finish for me.

Thomas takes the paper and book and copies.

THOMAS

'...and every time I kiss thy hand to bid adieu, every absence which follows it, are preludes to that eternal separation which we are shortly to make.'

MARTHA

I want you to keep that, Thomas. With a lock of my hair... to remember me.

THOMAS

I will never forget, Martha.

Martha's eyes close.

THOMAS (CONT.)

I promise you, I will never forget... and I will never marry again.

Thomas starts to cry. He falls to his knees at the bedside and falls in to a ball Patsy goes to him and holds him. Adult Patsy enters watching as lights slowly fade to black during the following.

ADULT PATSY

'He kept his room for three weeks and I was never a moment from his side... I was his constant companion, a solitary witness to many a violent burst of grief.'

END

SOURCES:

'Patsy Jefferson's Diary' by Miriam Anne Bourne

'Founding Mothers' by Cokie Roberts

'Thomas Jefferson' PBS HOME VIDEO

'Liberty! The American Revolution' PBS DVD VIDEO

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Malayalam Short Drama Script For School Students 2017

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